Worth-based youth choir God's Property) which garnered airplay on MTV as well as a Song Of The Year nomination and performance on the 1998 Grammy Awards of "Lean On Me", a track from his 1997 release, "The Nu Nation Project", which featured guest appearances by the likes of Mary J Blige, U2's Bono and R Kelly.
Never defined solely as a gospel artist, Franklin is also responsible for several mainstream cross-over successes, the highlights of which include 1995's multi-format smash "Stomp" (performed by Dallas/Ft. Since then, a decade of the greatest commercial successes and brilliant, ground breaking artistry and musical innovation ever seen and heard in gospel music has followed. His life took a dramatic turn in 1992 when Vicki Mack-Lataillade, President and CEO of the then-fledgling Gospo Centric Records, listened to one of his tapes and, amazed by what she heard, quickly signed him to a recording contract. The tragic death of his friend served as a wake up call for the teenage musical prodigy, and he began composing songs, recording and formed the 17-member vocal ensemble, The Family. A self-proclaimed "church boy" at heart, it was during a season of teenage rebellion that a 15 year-old Franklin came face to face with the gravity of his decisions when one of his friends was accidentally shot and killed.
Where does kirk franklin live now full#
Though young Franklin possessed phenomenal prodigious musical gifts, surely Aunt Gertrude had no idea that this seed well sown into the life of a hyper young boy full of potential would impact the world on such a large scale.īy age 11, Franklin was directing adult choirs in the Dallas/Ft Worth area. Abandoned as an infant by his biological mother and never knowing his father, Franklin was raised by his Aunt Gertrude, a deeply religious woman who paid for his piano lessons by collecting aluminum cans when Franklin was only four years old. Dorsey, James Cleveland and Andrae Crouch as one of the pivotal, defining forces of 20th century- and-beyond gospel music.įranklin's meteoric rise to the apex of Gospel Music's upper ranks may appear to have been quick, but it was far from glamorous. Wildly accepted and embraced almost Immediately by the masses, it went on to spend 100 weeks at the top of Billboard magazine's gospel charts, while also crossing over to the R&B side, and becoming in the process the first gospel album ever to sell over a million units.īut despite that auspicious, record-shattering entrance, the world had seen only the smallest foreshadowing of the work of a man who, in less than a decade, would come to stand with the likes of gospel royalty such as Thomas A.
In the summer of 1993 a young unknown gospel musician from Fort Worth, Texas, released–to little initial Fanfare–his self-titled debut album, Kirk Franklin & The Family.
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